...and considering how we use making to map quiet observation, document consciousness. Gazing is deeper than looking. It is slower I think. And more importantly, more selfless. Two things stick with me here. I like the eye form that emerged where the two circles overlapped. And again I imagine this composition without the figures, the beauty and ultimate magic of the marks left behind, engraved by how it happened. And being there. And then later when we are not. The story map with a less ownership in it. Like a once tended, now wild garden, a place prepared for anything to grow.
I used some digital cut and paste to look at my idea.
Now also liking the whisker lines, map. The sense, the difference in tilt, a mark of point of view. How they might intimately intersect with others without planning.
Although this piece has a light-hearted approach, there is something very important to me in these thoughts today. Some explanation that whispers to me about the hidden logic in creativity. How things come to be by moving through us, not by springing forth on their own. I'll talk when the words are clearer.
Hand dyed silk mandala fragment by Richard Carbin. Glennis and Richard put together a class on this technique awhile back which I signed up for. I need more practice, so it was great to have a small piece from the master mandala maker. A great component for Gazing. A little something to make it seem bigger.